Your Daily NEL: New English Library

Cheap and Nasty Seventies Horror Pulp

Posts Tagged ‘Murder’

Cyril Donson – Draco The Dragon Man

Posted by demonik on June 7, 2014

Cyril Donson – Draco The Dragon Man   (NEL, Oct. 1974)


Damon Draycot had won world renown as a historian and archeologist. He made many television appearances and his athletic exploits were no less eagerly followed. He was well-known and respected on all sides.

His latest nine-month expedition was potholing in Texas. There were many miles of underground passages to explore for mineralogical, medical and historical facts — and simply to conquer. This proposed feat captures the public imagination, and many are there to wish Draycot luck.

What happens to him underground would not be wished on any other man. Thereafter his life was never to be the same; dogged by an unfathomable curse that led him to shun his fellow creatures, this innocent expedi­tion brought a nightmare of horror and evil into the light of day.

See also Draco the Dragonman thread on the Vault forum

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M. G Lewis – The Monk

Posted by demonik on June 5, 2009

M. G Lewis – The Monk (New English Library, 1973)


The first ever Brit horror pulp? Probably not, but if you’re only going to read one Gothic novel, make sure it’s M. G. Lewis’s extraordinary romp. At the novel’s outset, Ambrosio is little short of a Saint on earth, but once he’s been seduced by novice Matilda – a demon in female guise – he embarks on a clandestine career that takes in murder, matricide, rape and incest and damns him to Hell. Meanwhile, a fine cast of Spectral, bleeding and pregnant Nuns, The Wandering Jew and the suitably grim agents of the Inquisition all play their part in keeping up the frantic pace right through to the terrifying climax. Incredibly, Lewis was just eighteen when he wrote this in 1797, having been influenced by the morbid fiction emanating from Germany and that other great, bloody Gothic, the Marquis de Sade’s Justine.

Posted in Horror Fiction, M. G. Lewis, NEL, Novel | Tagged: , , , , , , , , , , , , , , , , , , , , , | Leave a Comment »

Peter Leslie – The Fakers

Posted by demonik on May 20, 2009

Peter Leslie – The Fakers (NEL, Feb. 1971)


Onstage, a chorus of plastic-clad models bursts out of a huge Easter egg and brings delirious delight to the audience. Backstage, a lovely young actress swings with a broken neck at the end of a rope.

Something is happening at the Adonis theatre, and only a master of impersonation and deception could know what it is. Somebody like a criminal, for example. Crime and the theatre are both involved in fakery, in hypnotising the observer, and that evening at the Adonis is the beginning of an audacious plot to keep a fortune in stolen jewels from the eyes of the police.

Peter Leslie, author of The Extremists, introduces a new and thrilling element into the bizarre world of a Repertory Company on tour. Rarely has the reader been treated to such a mixture of chills and high camp.

Barry Vine, insurance investigator, clearly fancies himself as the James Bond of his profession in this bizarre crime caper. In between bonking sessions with rich, beautiful and feisty young actress Oona Blake, he infiltrates the gang behind a series of audacious jewellery thefts. Vine soon discovers that Genius Barking and his misogynist gay hairdressers have teamed up with a crime syndicate based behind the Iron Curtain – but who is Mr. Big?

There are at least two horror sequences, well realised and thoroughly incongruous in such a light-hearted romp. The highly theatrical hanging of the unfortunate actress and the protracted torture-by-electrical-appliances of Vine’s valet. Oona is then abducted, strapped into a chair with a huge hairdryer covering her head which has been wrapped in tape (these people have their gagging down to a fine art).

“Isn’t it camp?” Barking said. “Look! Through the glass doors you can see buses, taxi’s, shoppers passing. And if they looked in they could probably see us. But what they can’t see are the things we’re going to do to you: as far as they’re concerned you’re just a late customer with three assistants grouped around her …. Fancy torturing somebody in full view of the street!” He broke into a shrill chuckle.

Barking is a man who enjoys his work way too much.

The Fakers thread on Vault Of Evil

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Alfred Hitchcock – This Days Evil

Posted by demonik on May 17, 2009

Alfred Hitchcock [Peter Haining] – This Days Evil (Four Square, 1967)

Josh Kirby

Ed Lacy – Lucky Catch
August Derleth – The Story Of The Intarsia Box
Robert Sheckley – Pousse Cafe
Henry Slesar – How To Stop Smoking
Borden Deal – Get-Away
Jack Ritchie – The Travelling Arm
Arthur Porges – The Missing Bow
Hal Ellson – The Pulque Vendor
De Forbes – Flora Africana
Bryce Walton – Never Hang Another
Mann Rubin – The Alibi-Makers
Jonathan Craig – This Day’s Evil
Donald Westlake – The Sound Of Murder
Francis Swann – I Still Scream
Jay Street – The Painless Method
C. B. Gilford – Deduct One Wife
Douglas Campbell – Fiesta Time
Jack Ritchie – Where The Finger Points

Well, there are other books that didn’t inspire me with confidence but turned out OK so who’s to say? The Deleth’s one of his Solar Pons outings and made the Oriental Tales Of Terror anthology but that could well be it for the horror content. Sheckley, Porges and the staggeringly prolific Slesar are all accomplished genre hoppers, equally at home with each, so if they’re writing for something called Alfred Hitchcock’s Mystery Magazine it’s a fair bet they’ll take the ‘Mystery’ bit as their guideline. Bryce Walton wrote an excellent voodoo story, The Devil Doll, for Dime Mystery which Bill Pronzini happily revived for his Tales Of The Dead monsterpiece (Book Club, 1987).

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